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Marina Karella - Untitled (Self Portrait)
Marina Karella
Untitled (Self Portrait)
$1,500
Joel D. Levinson - Untitled #65 (Self Portrait)
Joel D. Levinson
Untitled #65 (Self Portrait)
$2,000
Duc de Massa - Group in a Pull Cart (Self Portrait)
Duc de Massa
Group in a Pull Cart (Self Portrait)
$1,000
Duc de Massa - Self Portrait in Theatrical Costume and Sword
Duc de Massa
Self Portrait in Theatrical Costume and Sword
$2,500
Duc de Massa - Self Portrait Sitting at a Table Reading a Paper
Duc de Massa
Self Portrait Sitting at a Table Reading a Paper
$2,500
Duc de Massa - Standing Self Portrait next to Balustrade
Duc de Massa
Standing Self Portrait next to Balustrade
$2,000
Leonard Misonne - Self Portrait of Leonard Misonne and His Family
Leonard Misonne
Self Portrait of Leonard Misonne and His Family
$1,000
Barbara Morgan - Beaumont Newhall, Ansel Adams and Willard Morgan in Barbara's Studio
Barbara Morgan
Beaumont Newhall, Ansel Adams and Willard Morgan in Barbara's Studio
$3,500
Robert Newell - Self Portrait in Multiples
Robert Newell
Self Portrait in Multiples
$1,200
Bill Owens - Self Portrait (with wig display)
Bill Owens
Self Portrait (with wig display)
$2,500
P. J. Delbarre & Cie. - Portrait of Photographer Auguste Vacquerie
P. J. Delbarre & Cie.
Portrait of Photographer Auguste Vacquerie
$4,000
Leni Riefenstahl - Self Portrait from Tiefland
Leni Riefenstahl
Self Portrait from Tiefland
$250
By Alex Novak
Josef Vorisek - Portrait of Josef Sudek with Camera
Charles Negre, Self Portrait at 21 Quai Bourbon (His Studio)

It is much rarer to see images of photographers themselves, instead of their friends, family or acquaintances. Perhaps that reluctance stems from a self-consciousness that they felt more comfortable behind the lens instead of in front of it. Of course there were some notable exceptions: Nadar was notorious for his self promotion and many self portraits.

Most of these images were simply self portraits. Only a few were taken by other photographers. Again, the reluctance to be taken by others may be an exhibition of ego or just a shyness--and the portraits show both emotions readily. Some photographer sit for their portraits in pompous splendor or in retiring simplicity.

Photographer's portraits were made almost from the beginning. Hippolyte Bayard's bizarre joke of an image of himself as a suicide victim (because the French government had not recognized his pioneering efforts and had given pensions only to the Daguerre/Niepce team) was certainly an early and rather startling portrait of the artist.

In these examples from both the 19th and 20th century, you will find photographers who pose with their equipment, who are in the process of shooting themselves, who sit or stand stiffly for formal portraits, or who pose casually. Some, like Duc de Massa and Franck Chauvassagne, dress up in theatrical style. Others, like Margaret Cressman, shed their clothes completely.

But I find all of these images to be very revealing and shed an interesting spotlight on who these artists really were/are. Many are famous names and others are just minor footnotes in the history of photography, if known at all. But all show personality.

Portraits of Photographers: Shooting the Shootists
About This Exhibit
Image List

Exhibited and Sold By
Contemporary Works / Vintage Works, Ltd.

258 Inverness Circle
Chalfont, Pennsylvania   18914   USA

Contact Alex Novak and Marthe Smith

Email info@vintageworks.net

Phone +1-215-822-5662

Call for an Appointment

 

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