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Brassai (Gyula Halasz) - Clocharde, Quai des Tuileries, Paris
Brassai (Gyula Halasz)
Clocharde, Quai des Tuileries, Paris
$2,500
Brassai (Gyula Halasz) - Au Cirque Medrano, Paris
Brassai (Gyula Halasz)
Au Cirque Medrano, Paris
$1,750
Brassai (Gyula Halasz) - Quai de Conti, Paris
Brassai (Gyula Halasz)
Quai de Conti, Paris
$1,750
Brassai (Gyula Halasz) - Tramps on the Quai des Orfevres (Pont-Neuf), Paris
Brassai (Gyula Halasz)
Tramps on the Quai des Orfevres (Pont-Neuf), Paris
$2,000
Brassai (Gyula Halasz) - Couple on Paris Bench in Jardin des Tuileries
Brassai (Gyula Halasz)
Couple on Paris Bench in Jardin des Tuileries
$1,750
Brassai (Gyula Halasz) - Jeune Fille de Joie, en Robe Printanière, Paris
Brassai (Gyula Halasz)
Jeune Fille de Joie, en Robe Printanière, Paris
$8,500
Brassai (Gyula Halasz) - Graffiti, Tête de Guerrier
Brassai (Gyula Halasz)
Graffiti, Tête de Guerrier
$12,000
Brassai (Gyula Halasz) - Police Station on Corner of Rue de la Huchette and Rue du Chat-qui-Pêche, Paris
Brassai (Gyula Halasz)
Police Station on Corner of Rue de la Huchette and Rue du Chat-qui-Pêche, Paris
$2,500
Brassai (Gyula Halasz) - The Baker
Brassai (Gyula Halasz)
The Baker
$1,500
Brassai (Gyula Halasz) - Gare Saint Lazare, Paris
Brassai (Gyula Halasz)
Gare Saint Lazare, Paris
$2,000
Brassai (Gyula Halasz) - Bal Tabarin, Montmartre, Paris
Brassai (Gyula Halasz)
Bal Tabarin, Montmartre, Paris
$3,000
Brassai (Gyula Halasz) - Fire, Paris
Brassai (Gyula Halasz)
Fire, Paris
$1,000
Brassai (Gyula Halasz) - Watchman Asleep by Fire, Paris
Brassai (Gyula Halasz)
Watchman Asleep by Fire, Paris
$1,500
Brassai (Gyula Halasz) - The Quarrel, Paris
Brassai (Gyula Halasz)
The Quarrel, Paris
$15,000
Brassai (Gyula Halasz) - Conchita's Dance, Boulevard Auguste-Blanqui
Brassai (Gyula Halasz)
Conchita's Dance, Boulevard Auguste-Blanqui
$25,000
Brassai (Gyula Halasz) - La Femme au Monocle, Montparnasse, Paris
Brassai (Gyula Halasz)
La Femme au Monocle, Montparnasse, Paris
$7,500
Brassai (Gyula Halasz) - Groupe Joyeux au bal musette des Quatre Saisons, rue de Lappe, Paris
Brassai (Gyula Halasz)
Groupe Joyeux au bal musette des Quatre Saisons, rue de Lappe, Paris
$12,500
Brassai (Gyula Halasz) - Rome Metro Station
Brassai (Gyula Halasz)
Rome Metro Station
$18,000
Brassai (Gyula Halasz) - Beggar in the Metro, Paris
Brassai (Gyula Halasz)
Beggar in the Metro, Paris
$15,000
Brassai (Gyula Halasz) - Jeune Fille de Joie, en Robe Printanière, Paris
Brassai (Gyula Halasz)
Jeune Fille de Joie, en Robe Printanière, Paris
$8,500
Brassai (Gyula Halasz) - Graffiti, Tête de Guerrier
Brassai (Gyula Halasz)
Graffiti, Tête de Guerrier
$12,000
Brassai (Gyula Halasz) - Picasso with
Brassai (Gyula Halasz)
Picasso with "Les Femmes à Leur Toilette"
$7,500
Brassai (Gyula Halasz) - Picasso Posing as the Artist with Jean Marais as His Model
Brassai (Gyula Halasz)
Picasso Posing as the Artist with Jean Marais as His Model
$15,000
Brassai (Gyula Halasz) - Picasso Reading
Brassai (Gyula Halasz)
Picasso Reading
$4,000
Brassai (Gyula Halasz) - Picasso with His Sculpture,
Brassai (Gyula Halasz)
Picasso with His Sculpture, "The Speaker"
$8,000
Brassai (Gyula Halasz) - Le Fort des Halles, Paris
Brassai (Gyula Halasz)
Le Fort des Halles, Paris
$8,000
Brassai (Gyula Halasz) - A Pekinese
Brassai (Gyula Halasz)
A Pekinese
$5,000
Brassai (Gyula Halasz) - Portrait of Picasso
Brassai (Gyula Halasz)
Portrait of Picasso
$4,000
Brassai (Gyula Halasz) - Contact Print of Female Nude, Paris
Brassai (Gyula Halasz)
Contact Print of Female Nude, Paris
$6,000
Brassai (Gyula Halasz) - Picasso at the Brasserie Lipp with Pierre Matisse
Brassai (Gyula Halasz)
Picasso at the Brasserie Lipp with Pierre Matisse
$4,500
Brassai (Gyula Halasz) - Portrait of Picasso in His Studio at 23 rue de La Boëtie, Paris
Brassai (Gyula Halasz)
Portrait of Picasso in His Studio at 23 rue de La Boëtie, Paris
$6,500
Brassai (Gyula Halasz) - Self-Portrait of Brassai with Picasso
Brassai (Gyula Halasz)
Self-Portrait of Brassai with Picasso
$4,000
Brassai (Gyula Halasz) - Modernist Study of a Dancer Reclining
Brassai (Gyula Halasz)
Modernist Study of a Dancer Reclining
$8,000
Brassai (Gyula Halasz) - Paul Eluard at His Paris Apartment
Brassai (Gyula Halasz)
Paul Eluard at His Paris Apartment
$2,500
Brassai (Gyula Halasz) - Paul and Nuesch Eluard in Their Apartment
Brassai (Gyula Halasz)
Paul and Nuesch Eluard in Their Apartment
$12,000
Brassai (Gyula Halasz) - Paul Eluard's Apartment and His Painting Collection
Brassai (Gyula Halasz)
Paul Eluard's Apartment and His Painting Collection
$3,500
By Matt Damsker

Brassai's Graffiti

Who but Brassaï could photograph a gentle ocean wave lapping the shore of the French Riviera and make it seem like a sensual manifesto, all foam and swirling water, glinting sun and tidal undulation? Like few others, this 20th-century master of the medium was, at his artistic core, a great miniaturist, capable of transforming the fleeting stuff of European life with deceptive ease, flair and the soul of a poet.

Born Gyula Halász in 1899 in Transylvania (then part of Hungary, now Romania), Brassaï got his start as a Berlin journalist in 1920, moved to Paris in 1924 and remained there the rest of his life. Under the tutelage of no less than fellow Hungarian André Kertész, Brassaï (a pseudonym which honors his birthplace, Brasso) became "the eye of Paris," as writer/friend Henry Miller called him. Now he lives on as the emblematic demimonde photographer, chronicling high and low Parisian life, its artist celebrities (Dali, Picasso, Matisse, Genet, Giacometti, the list goes on)--and, perhaps more importantly, its erotic essence.

By 1933, when he published his first book, "Paris de Nuit (Paris by Night)," which launched him toward global success, he could move comfortably between the worlds he--or, more precisely, his camera--inhabited. As one can glean from this photo exhibition, there were the countless street and domestic scenes in which Brassaï delighted: the storefront windows stocked with the ephemera of French culture--bottles, clocks, bicycle tires--along with the downscale strip shows, prostitutes posed in their knee-high boots on hotel beds, little dogs snuggled on blankets, sleeping vagrants, graffiti, and backdrops clogged with commercial signage.

At the same time, there was Brassaï the aesthete, whose access to French intellectuals and artists led to formal and informal portraiture of the Parisian salon scene that flourished between the great wars. And as a master of the studio, Brassaï had few peers. Just as casually as he could capture the seedy side of Paris, he could produce formal works of great power and elegance--for example, his strikingly posed nudes, bathed in supremely artful shadow, reclining on dark cushiony depths, inviting the lecherous gaze yet possessed of classical grace.

In any of its aspects, Brassaï's photography leads the viewer toward an intimacy with its subject matter, often through its feel for the incidentals: not only the random, richly familiar stuff of the storefronts but also the discernible gestures and postures that make us feel like we've chanced upon a scene along with the artist or, in the case of a woman half-clothed on a cheap bedspread, initiated it. Complicity is Brassaï's trump card, after all, as he brings to life a Paris that exists for some in gritty reality and for most of us in the legend and lore of the expatriates and Parisians with whom we dreamily identify, much as in Woody Allen's film, "Midnight in Paris," which invites us to time-travel back to Brassaï's heyday.

What shouldn't be forgotten as one glides around Paris and the Riviera through Brassaï's lens is that he is considerably more than just an artist of a particular era, and certainly more than the French version of his U.S. contemporary, Weegee. As this exhibition illustrates, Brassaï's attention to detail made him a seminal exponent of a photographic realism that would seed successive generations of artists, from American urbanists such as Callahan or Hines to post-modern randomists such as Friedlander or Eggleston. And Brassaï's rigorously erotic studio posings are an arguable influence on the distant lens of Robert Mapplethorpe. Ultimately, Brassaï's legacy is glimpsed wherever photography melds spontaneity with careful composition, whenever it crafts a scene of high and low occasion, and however it affirms the medium as a conveyor of sensibility, style and symbol with a single click of the shutter.

Brassai: The Transylvanian Parisian
About the Artist
Image List

Exhibited and Sold By
Contemporary Works / Vintage Works, Ltd.

258 Inverness Circle
Chalfont, Pennsylvania   18914   USA

Contact Alex Novak and Marthe Smith

Email info@vintageworks.net

Phone +1-215-518-6962

Call for an Appointment

 

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