Newsletter News
Interview: Paula Chamlee: An Artist of Complexity and "Natural Connection"
In 1994, Lodima Press published Natural Connections: Photographs by Paula Chamlee, with an essay by Estelle Jussim. The title explained something of the working methods of Chamlee, straight photography with…
Read MoreFeatured Exhibit
Saharan Visions: Early Images of the Orient
By Alex Novak
Beginning on the western coast of Africa and extending across the size of the US, the Saharan desert and its challenges are legend. With a culture that…
Read MoreCollecting Resources
A Certificate of Insurance and Why You Need to Get One When You Loan Out Work
There are many misconceptions regarding Certificates of Insurance. The following information may help to provide a greater understanding of their proper and intended use.
It is common practice in the…
Read More“I Photo Central is attractive and easy to navigate, with information for everyone, from curators to collectors, to those wanting to see fine examples from the history of photography. I peruse it regularly and recommend it to colleagues and students. At a glance, it gives a condensed education into the medium's rich history and how photographs are valued and exchanged in our present market.”
Museum Curator
I Photo Central provides thousands of web pages for the photography collector, curator and historian. This site includes articles on collecting issues (such as connoisseurship and print values; insurance and risk management; appraisals; buying and selling images; developing a photography collecting library; framing/matting and preserving your collection; conservation, etc.). The largest for-sale fine art photography gallery on the web is databased here and is easily accessed through an extensive on-site search engine.
281 issues of the popular E-Photo Newsletter are also archived here and are also searchable; and there is a major International Photography Calendar of Events section.
An additional Special Exhibits section focuses on specific topics, photography processes (such as autochromes, daguerreotypes, stereo views and oratones), contemporary photography and individual photographers.
